Sarah.

Sarah Michelson, Fiction Editor

Sarah Michelson is a horror writer and (technically) scholar. Her work can be found in Burial Day Books, Grim & Gilded, The Cabinet of Heed, and her iPhone notes app. She holds a B.A. in English and Art History from Wellesley College and an M.Phil in Modern and Contemporary Literary Studies from Trinity College Dublin. Her writing tends to focus on body horror, hauntings, and anything that writhes.

    • Mariana Enríquez

    • Carmen Maria Machado

    • Clarice Lispector

    • Shirley Jackson

    • Marie-Helene Bertino

    • Clive Barker

    • Kelly Link

    • Annihilation by Jeff VanderMeer

    • Never Let Me Go by Kazuo Ishiguro

    • We Have Always Lived In The Castle by Shirley Jackson

    • Her Body and Other Parties by Carmen Maria Machado

    • Things We Lost In The Fire by Mariana Enriquez

    • Flowers for Algernon by Daniel Keyes

    • Tender is the Flesh by Agustina Bazterrica

    • Frankenstein by Mary Shelley

    • Revelations by Clive Barker

    • The Imposter by Silvina Ocampo

    • My Case for Retributive Action by Thomas Ligotti

    • The Well by Mariana Enríquez

    • The Good Husband by Nathan Ballingrud

    • The Hortlak by Kelly Link

    • The Lake by Tananarive Due

    • Real Women Have Bodies by Carmen Maria Machado

    • Moist House by Kate Folk

    • Sometimes You Break Their Hearts, Sometimes They Break Yours by Marie-Helene Bertino

    • Cassandra After by Julia Armfield

    • The Thing (1982)

    • The Fly (1986)

    • Videodrome (1983)

    • Lost Highway (1997)

    • American Psycho (2000)

    • Tragedy Girls (2017)

    • Mad God (2021)

    • They Look Like People (2017)

    • Greener Grass (2019)

    • Two shots espresso

    • Oat milk, sometimes